Unframed. Free shipping. Can be viewed at thearthouse.us

This an early attempt at the notion of space supporting form. Intuitive mark-making result in gestural brushstrokes with both black and white paint. In this composition the subject begins to morph from hooded figures to saw or zipper teeth. There’s an effort to deemphasize what is the positive and negative space in this painting. How is positive space determined? Part of the Hoodlum series.